author of Hidden in Dreams
Q: How much research did you have to conduct to write this intriguing story?
A: In a way, I suppose you could say I’ve been researching this story all my adult life. I did my studies in international economics and finance. Observing the difficulties our nation and economy has faced over the past three years, as well as what we personally have endured, has been tough. It really was great to have this chance to give voice to what we increasingly hear, that the people at fault need to be brought to justice, and the risk of another economic collapse needs to be halted.
A: Economic uncertainty defines the world we live in. I feel it is important to show how the timeless and eternal messages are applicable to every aspect of our world and our lives. And how the gift of peace and wisdom can be used in every circumstance we face.
A: Two months after Book of Dreams was released, I had the call every author dreams about and yearns for—a vice president of NBC/Universal suggested we discuss the possibility of turning it into a television series. I was put in touch with one of their producers and over the next six months began working up the basic structure of what this program might look like. One of the ideas I found most appealing became the basis for Hidden in Dreams. There is as yet no firm decision about the television project. But it has been a blast to even be considered.
A: You’re right, it can indeed be troublesome, but this time it all fell together very easily. The structure just flowed. That sometimes happens, where the story seems to create itself. I wish it was true all the time. I can’t even say why it was such a smooth process with Hidden in Dreams. But there was a sense of impatience about the back story, as though I needed to fit in just a few paragraphs, but I couldn’t allow myself or the reader to be drawn too far from this new story’s flow.
A: Learning to write from a woman’s point of view is very difficult for a male writer, as it usually is for a woman author writing a man’s story. Before I was published, I became friends with a husband and wife team who were both opera stars. The woman often sang a male role in a Mozart opera that was originally designed for a young boy, but which nowadays is usually sung by a woman with a slightly lower range, called a coloratura.
A: Elena had a choice to make, and so did I. Either she could play the delicate flower – fearing everything and going nowhere – or she could go on the hunt. I liked the balance between her internal fears and uncertainties, and her quest as a professional psychologist. She is, in effect, trained to look for clues – to go on the quest of drawing out the hidden. I felt the actions she took, despite the dangers, to be her natural response.
A: I have another idea. The question is, what do the readers want, and how positive is the reaction to this story?
A: It would probably be better to ask, what has been the most exciting real-life event so far this year. Undoubtedly that would be working on the set of a film being shot from a screenplay I wrote last year.
A: I want to combine a truly entertaining read with a powerful after-effect. My dream is that long after the book is set down with a satisfied sigh, there are still images that surface, lessons that can be drawn, genuine hope and healing and challenges and inspirations. I want my writing to be worthy of the gift.