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Normally by the time I complete a story, I have been living with the characters and the tale for about a year. What I need more than anything just then is a break. I don’t need to stop writing; I just need to write about something else. The emotions for a new book have to be fresh. The characters are not just continuing on. They are starting over. The emotions and the concepts and the tension and the theme are all brand new. The names stay the same. The rest of the universe shifts on its axis.
As I started researching the first book in this series, Lion of Babylon, I took a flight where I was seated next to this very remarkable woman, an amazing combination of hard intelligence and great gentleness. She was reading a pocket New Testament. We started talking, and it turned out that she was a special operative, formerly with the State Department intelligence division, and now working with the Department of Defense Intel. I found myself drawn by this incredible paradox of ruthless focus and very intense calm.
He carries his faith into a world that likes to think Jesus no longer plays a role. He sees himself as the ultimate outsider, wounded by the loss of his wife, searching for a place he can call home, and an ideal worth living for—or giving his life for.
I worked in Africa for four years early in my adult life. I was not a believer at that time. I came to faith four years later. I taught in Kenya last year, the first time I had been back to sub-Sahara Africa in almost twenty years. Going back to Africa now, as a believer, has opened my eyes to many things. Seeing with the compassion of sharing faith and seeking to serve means that I do not merely observe, I share with them. I hope this comes across in my story.
It is very rare that a first scene holds such a powerful connection for me. Generally it is one where there is a revelation between characters, or a defining moment when a person’s eyes are truly opened to the eternal for the first time.
The film project Unlimited, for which I wrote the screenplay, has now ‘wrapped’, that is, filming has been completed. The producer and director are now deep into the editing process. Meanwhile, I must get busy and write the novel.